A single image can tell the whole story.

When all you need to tell a story is a single image frozen in time.
When all you need to tell a story is a single image frozen in time.


I’ll never forget it.

If you are a writer, you should cut his words out and hang them on the wall.

They are all you’ll ever have to know about the craft of telling stories.

He said: “You don’t write about the horrors of war. No. You write about a kid’s burnt socks lying in the road.”

It’s the greatest writing lesson I’ve ever had.

If you write, “War is horrible,” that’s a sermon.

Quickly said.

Quickly forgotten.

If, however, you write about those burnt socks lying crumpled in the the road, you have touched the imagination, and the imagination has pricked the heart.

You try to forget it.

You try to move on.

You can’t.

The image remains.

And the questions flood your mind.

Who was the kid?

Was he our kid?

Or their kid?

Was he old enough to fight?

Or was he simply old enough to die?

Was he in the battle?

Was he frightened?

Was he trying to escape?

Did he live?

What were his final thoughts?

Who was left to mourn him when he’s gone?

He’s not yet a statistic.

He’s only a pair of burnt socks.

He awoke that morning to the sound of gunfire

Maybe it was distant.

Maybe it was already coming up the road.

Maybe he could smell the smoke.

Maybe he could hear the cries of the dying.

What were his orders.

Was he told to dig in?

Or retreat?

Was he with a company of soldiers?

Or was he alone?

Men were battling for a patch of ground.

They would fight to hold it.

They would die upon it.

The land they held their foxholes would hold their graves.

He had a mother.

She was praying for him.

He had a girl friend.

She was waiting for him.

What would they ever know what happened to him?

At the moment, he had no name.

No face.

No fear.

No emotion.

He has simply a pair of burnt socks.

One image.

And it told the whole story.

The images of war are scattered throughout my novel, Night Side of Dark.



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